来源 :金山在线 2019-12-09 02:02:33|黄大仙跑狗图老板2018年73期



  The joy of printed books, according to Richard Christiansen, founder of the ad agency Chandelier Creative, “is that you really feel as though you can wrap your arms around craft and culture in the world — to really appreciate not just what’s in those books, but the craft and skill that goes into making them.” He vividly recalls the transformative effect that Madonna’s 1992 coffee table book, “Sex,” had on him as a teenager. Edited by Glenn O’Brien and photographed by Steven Meisel — “amazing luminaries I had no idea of at the time” — it offered him a glimpse outside his sheltered upbringing in rural Australia. “I remember thinking, oh my god, I want to be able to create work like that. I want to be part of that world.”

  Fast forward to our current digital age, and Christiansen still believes in the power of print. This week he opens his own bookstore, Owl Bureau, in Highland Park, a northeast Los Angeles neighborhood not far from the hillside home he bought in 2013. On Figueroa Street, where trendy new coffee shops have recently joined the longstanding mix of mom-and-pop storefronts, it shares space with Chandelier Creative’s Los Angeles outpost inside a former pharmacy called Owl Drugs, which is still complete with its original signage.

  Inside, the Los Angeles-based designers Waka Waka and Machinehistories have erected a curved wall of blond California wood where the books rest on shelves and wooden pegs. Christiansen, with the Paris-based architects Studio KO, conceived of a fanciful shrine to print media, culminating in a pair of doors ornately carved with reliefs of owls, cactuses and bumblebees (the office is just on the other side). The inventory, curated in collaboration with Mast Books, is a mix of new titles in art, fashion, architecture and design, plus 200 or so from Christiansen’s personal collection. Madonna’s “Sex,” is there, alongside other rare gems that include Herb Ritts’s “Notorious” celebrity portraits and the kitsch catalog to Karl Lagerfeld’s 1991 Sotheby’s auction of Memphis furniture.

  Christiansen sees the space as a place to host book and magazine launches, signings and readings, like an evening with the French architectural photographer François Halard, who will be signing a few rare publications at the shop’s opening on Saturday. Owl Bureau will also host an artist residency on site (the first artist will be ceramist Alex Reed) and will eventually even serve coffee. For Christiansen, the space also fulfills a personal need for a store he felt had been lacking — a place to buy a copy of French Vogue within a 45-minute drive from his house.

  As for the books he will be selling from his personal collection, he says: “I almost feel like they’ve been my best friends; I have turned to them when I’ve needed inspiration, and when I’ve needed solace.” But he doesn’t feel a shred of sadness about parting ways. “Hopefully they can end up in someone’s hand who pores over every page like I did, and does something great with where it takes them.”

  Starting Monday, March 18, Owl Bureau will be open seven days a week, from 11 a.m. to 7 p.m., at 5634 N. Figueroa Street, Los Angeles.



  黄大仙跑狗图老板2018年73期- 【巳】【月】【走】【后】,【因】【为】【时】【间】【扭】【曲】,【所】【以】【在】【这】【两】【个】【时】【空】【的】【时】【间】【观】【念】【便】【有】【了】【很】【大】【的】【变】【化】。 【某】【日】,【临】【一】【正】【躺】【在】【家】【里】【养】【病】。 【突】【然】,【有】【个】【小】【差】【过】【来】【上】【报】【说】,“【太】【子】【殿】【下】,【有】【个】【人】【说】【要】【找】【你】。” 【正】【有】【些】【困】【意】【的】【临】【一】【自】【是】【没】【有】【注】【意】,【自】【从】【参】【加】【完】【妹】【妹】【的】【婚】【礼】,【来】【到】【这】【狐】【殿】【中】,【临】【一】【越】【发】【觉】【得】【无】【聊】。 【无】【聊】【的】【最】【后】,【便】【是】【被】

【一】【天】【的】【时】【间】,【我】【和】【黄】【霸】【天】【把】【很】【多】【的】【事】【情】【都】【弄】【清】【楚】【了】,【最】【后】【直】【接】【拒】【绝】【了】【他】【的】【邀】【请】,【毕】【竟】【自】【己】【还】【没】【有】【做】【好】【准】【备】,【时】【间】【还】【早】,【以】【后】【有】【的】【是】【时】【间】【谈】【这】【件】【事】【情】。 【我】【们】【本】【想】【去】【谢】【教】【授】【家】【了】【解】【遨】【游】【者】【的】【信】【息】,【没】【想】【到】【转】【来】【转】【去】,【得】【到】【了】【很】【多】【的】【线】【索】,【最】【初】【的】【这】【个】【还】【是】【什】【么】【都】【不】【清】【楚】。【但】【是】【也】【得】【到】【了】【很】【多】【的】【线】【索】。 【其】【一】【就】【是】【按】【照】【谢】

“【咔】…【咔】…” 【许】【褚】【轻】【松】【将】【手】【中】【的】【湿】【柴】【掰】【断】【成】【几】【截】【儿】,【扔】【进】【烧】【得】【不】【太】【旺】【的】【火】【堆】【之】【中】,【顿】【时】【传】【来】【水】【汽】【快】【速】【蒸】【发】【的】【声】【音】,【伸】【手】【将】【火】【堆】【上】【烤】【得】“【滋】【滋】”【响】【的】【四】【只】【野】【味】【儿】【翻】【动】【几】【下】,【不】【时】【还】【会】【撒】【一】【点】【碎】【盐】。 【韩】【瑜】【坐】【在】【火】【堆】【旁】【边】【靠】【着】【身】【后】【的】【一】【座】【不】【知】【名】【的】【雕】【像】【小】【憩】,【吴】【远】【在】【破】【庙】【周】【围】【四】【处】【走】【动】【观】【望】【着】,【也】【不】【知】【道】【他】【在】【看】【些】【什】【么】

  【刚】【入】【仙】【界】,【大】【纲】【还】【没】【规】【划】【好】,【有】【点】【匆】【忙】,【最】【近】【剧】【情】【有】【点】【水】【想】【必】【大】【家】【也】【看】【到】【了】,【嗯】,【今】【天】【没】【有】【更】【新】【了】,【先】【做】【大】【纲】,【明】【天】【至】【少】【三】【更】,【快】【速】【进】【入】【状】【态】。 【见】【谅】【哈】~黄大仙跑狗图老板2018年73期【其】【实】【最】【近】【这】【几】【年】【来】,【古】【装】【剧】【是】【越】【来】【越】【有】【市】【场】【了】,【相】【比】【起】【其】【他】【类】【型】【题】【材】【的】【影】【视】【剧】,【古】【装】【剧】【要】【吃】【香】【得】【多】。【就】【好】【比】【之】【前】【的】《【东】【宫】》,【也】【是】【一】【经】【播】【出】【便】【引】【起】【很】【大】【的】【反】【响】。【大】【家】【也】【都】【知】【道】【吧】,【前】【阵】【子】《【东】【宫】》【终】【于】【是】【虽】【然】【观】【众】【们】【的】【望】【眼】【欲】【穿】,【迎】【来】【了】【它】【的】【二】【次】【上】【线】,【令】【大】【家】【都】【十】【分】【激】【动】【呢】,【又】【能】【再】【次】【看】【到】【小】【枫】【和】【顾】【小】【五】【了】!

  “【对】,【姐】【姐】,【平】【心】【静】【气】,【认】【真】【感】【受】!”【小】【灵】【儿】【说】【道】。 【这】【个】【时】【候】,【一】【定】【只】【能】【她】【自】【己】【真】【正】【感】【受】【到】【别】【人】【的】【存】【在】,【不】【然】,【真】【的】【怕】【时】【间】【越】【久】,【发】【生】【的】【事】【情】【越】【不】【受】【控】【制】! 【平】【心】【静】【气】!【对】,【她】【要】【平】【心】【静】【气】!【前】【世】【的】【事】【情】【就】【让】【它】【过】【去】【吧】,【她】【还】【有】【未】【来】,【她】【还】【有】【苏】【辰】【逸】,【一】【个】【让】【她】【想】【共】【度】【余】【生】【的】【男】【人】! 【她】【不】【知】【道】【的】【是】,【这】【个】【男】【人】

  【跳】【跃】【的】【同】【时】,【双】【手】【也】【在】【交】【替】【借】【力】。 【晓】【飞】【身】【形】【很】【快】,【不】【断】【的】【在】【山】【间】【跳】【跃】。 【尹】【天】【仇】【和】【楚】【猛】【虎】【在】【下】【看】【得】【目】【瞪】【口】【呆】。 “【好】【厉】【害】,【这】【是】【没】【练】【过】【轻】【功】【的】,【若】【是】【练】【过】【岂】【不】【能】【飞】【了】?”【尹】【天】【仇】【一】【脸】【吃】【惊】【道】。 【楚】【猛】【虎】【却】【摇】【摇】【头】,“【我】【见】【过】【会】【轻】【功】【的】【所】【谓】【高】【手】,【却】【不】【曾】【有】【晓】【飞】【一】【半】【轻】【盈】。” “【哦】?【也】【就】【是】【说】【晓】【飞】【很】【厉】【害】【喽】

  【古】【晋】【心】【头】【仿】【佛】【被】【重】【锤】【一】【击】,【瞬】【间】【清】【醒】【过】【来】:“【古】【晋】【谢】【过】【瑶】【婳】【前】【辈】【的】【提】【点】,【只】【是】【前】【辈】【讥】【笑】【的】【对】【象】,【既】【是】【昊】【端】【圣】【祖】【的】【后】【裔】,【也】【就】【是】【瑶】【婳】【前】【辈】【的】【后】【裔】。” 【瑶】【婳】【笑】【声】【一】【敛】,【寒】【声】【道】:“【够】【了】,【瑶】【婳】【此】【生】【爱】【错】【一】【人】,【最】【后】【被】【他】【无】【情】【鸠】【杀】,【形】【容】【腐】【蚀】【无】【形】,【哪】【来】【的】【子】【孙】【后】【裔】【留】【存】【在】【世】!【如】【今】【衍】【姮】【不】【在】,【绿】【萝】【势】【弱】,【我】【对】【你】【无】【可】【奈】【何】

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